They are loved and used for that to this day! You can call them basic, but these compressors had a brutal and hard-hitting nature that their more sophisticated counterparts just couldn’t muster. Particularly to the affordable DBX units of the 80s and 90s. However, some of our inspiration actually goes back in time as well. optimized for loudness and impact, without a loss of clarity. The plugin is designed especially with modern genres in mind – i.e. It can even go into full-on saturation mode as you apply the ‘Harmonics’ control. Just like its predecessor, IHNY-2 offers its own, unique sonic signature: Its style of compression is clinical and aggressive, combining the precision of a digital algorithm with a touch of analog-inspired non-linearity. But a compressor should not be judged on its features (or ability to run in parallel) as much as it should be judged on its sound. IHNY-2 comes with a range of new features to surgically tweak the compression behavior. Double Click: Resets any parameter to its default value. Alt (Cmd) + Click on XY Pad Node: Vertical movement only. Ctrl+Click on XY Pad Node: Horizontal movement only. Cmd+Click: Slows down mouse movement in the Tweak Panel for finetuning purposes. Reset To Default: Reset the plugin to your default preset. Save As Default: Save your own default preset, which will load whenever you open a new instance of IHNY-2. Tooltips: Turn on to get explanations of each parameter as you use the plugin. Useful for finetuning – or for using IHNY-2 as a regular insert compressor. (We recommend 1x for better CPU performance). Oversampling: Run the plugin in 1x, 2x or 4x oversampling modes. This is a great way to preserve the kick while squashing the rest of your drum bus. Lo + Hi Preserve: Prevents the low and high frequencies from being compressed above/below the cutoff points. Tilt: Makes the compressor work harder on either the low or high end of your signal – which can be useful for controlling bass heavy material and letting the high end breathe (or vice versa). (The smiley EQ curve is what sets “New York Compression” apart from regular parallel compression. Shape: Adds our custom ‘smiley EQ curve’ to bring out the lows and highs and make the compressed signal more present. This feature introduces harmonic saturation controlled by the gain-reduction, meaning more compressed parts get saturated harder. Harmonics: Imagine a saturator that behaves like a compressor – that’s Harmonics. The Punch control works to emphasize attack transients in the compressed track, helping it cut through even at very high compression levels. Punch: Heavy compression tends to suck the transients out of a signal. Ratio: Sets the compression intensity from mild to aggressive. ![]() Here, you’ll find a number of new features that weren’t included in V1.Īttack + Release: Sets how fast the compressor engages and disengages. But if you need to go deeper, the Tweak Panel gives you full control over the compressor. IHNY-2 is meant to be as fast and intuitive as its predecessor. ![]() For a good starting point, we recommend you aim for AGR levels between -10 and -20. This number takes into account the current Gain Reduction and Dry/Wet balance to give you a value for the compression intensity. While moving the node around the XY pad, you'll see a value displayed under the "AGR" abbreviation (Adjusted Gain Reduction). But if you find that the make-up gain is too loud or too quiet you can use the Autogain slider to nudge its behavior. IHNY-2 has an autogain algorithm working under the hood to give you a consistent output as you move the node around the XY pad. This allows you to operate the most important controls of the plugin in just one motion and find the sweet spot fast. You balance the two signals on the vertical axis of the XY pad, while setting the compression amount of the Wet track on the horizontal axis. One remains untouched by the plugin (Dry track), the other is subjected to all the goodness IHNY-2 has to offer (Wet track). IHNY-2 splits the incoming audio into two duplicates.
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